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Shimmering Strings
Ben Lahring, guitar
Sunday, June 7 at 2:30 pm
VENUE: St. Michael’s Church, Chemainus
Please note that this concert starts at 2:30pm

This concert presents a rare journey into the musical world of Mauro Giuliani and his daughter, Emilia Giuliani-Guglielmi, two of the 19th century’s most important figures in the classical guitar tradition. The first half highlights their operatic inspirations: Emilia’s Belliniana No.1, Op.2 draws on the lyrical melodies of Vincenzo Bellini, while Mauro’s Rossiniana No.1, Op.119 celebrates the lively spirit of Gioachino Rossini, both works reflecting the guitar’s dialogue with Italian opera.
After intermission, the focus turns to refinement and rediscovery. Emilia’s Six Preludes, Op.46 reveal her poetic voice and technical sophistication. Mauro’s Ten Etudes, Op.1a were recently unearthed from his long-lost instructional method book, recently published for the first time in history by MusiCurate, in collaboration with Mauro’s living descendant Nicola Giuliani.
Presented by guitarist Ben Lahring, this program brings authenticity and depth to the Giulianis’ music. As both a celebrated performer and the publisher responsible for reviving Mauro Giuliani’s lost method book, Ben offers a uniquely informed interpretation. His performances unite scholarship and artistry, honouring the historical significance and expressive beauty of these rediscovered works.
Rediscovering Mauro Giuliani bridges generations, revealing the artistry, pedagogy, and lasting legacy of the Giuliani family.
Programme
Belliniana No.1, Op.2 — Emilia Giuliani-Guglielmi (1830-1850)Rossiniana No.1, Op.119 — Mauro Giuliani (1781-1829)
Six Preludes, Op. 46 — Emilia Giuliani-Guglielmi (1830-1850)
Prelude #1 (Moderato)
Prelude #2 (Mosso)
Prelude #3 (Presto)
Prelude #4 (Moderato)
Prelude #5 (Moderato)
Prelude #6 (Allegro)Ten Etudes, Op. 1a — Mauro Giuliani (1781-1829)
Etude #1 (Andante)
Etude #2 (Allegro)
Etude #3 (Adagio)
Etude #4 (Allegro)
Etude #5 (Allegro)
Etude #6 (Moderato)
Etude #7 (Allegretto)
Etude #8 (Allegro)
Etude #9 (Presto)
Etude #10 (Allegro)Background information
“Your interpretation of my Lullaby For My Love is absolutely beautiful. Your tremolo is so even and your tone lovely. Congratulations on your new album!” – Liona Boyd, Composer & Guitarist
“Ben Lahring has a gift of playing the intention behind the music: somehow the force of a crescendo and the sparkle of articulation reach out and touch us through his playing.” – William Beauvais, Composer & Guitarist
“On this latest recording of music for classical guitar, Canada-based Ben Lahring offers some sweet morsels of his tone and touch … Lahring weaves textures rich in color … he is in command of his fingerboard at all times … a fine collection of delightful listening.” – Kirk Albrecht, Minor 7th
From his formative years spent in tropical northern Australia to a globe-spanning music career, Ben Lahring has established himself as a captivating composers and performer with “absolutely beautiful” interpretations (Liona Boyd) and a “gift of playing the intention behind the music” (William Beauvais, composer).
Lahring has always been bold in his musical explorations, with engagements ranging from a year-long solo-guitar performance residency in Sydney, Australia, to playing in the orchestra pits of musical theater productions and touring with choirs, rock bands and soul singers. He was a regular fixture in the New York City guitar scene for several years, where he released his first album of solo guitar music, praised for being “fun and enthusiastic” and displaying “a natural feel for the music” (This is Classical Guitar). Lahring’s latest album of solo guitar music, Driftwood, has been reviewed to high acclaim as “a work of originality and shimmering beauty” (Vivascene) and “one of the most singularly beautiful guitar recitals” (Fanfare Magazine). His own compositions are consistently popular with audiences and have been receiving increased attention from performers, with recent Canadian premieres of his works for guitar orchestra, guitar quartet, solo guitar, solo ukulele, and solo piano.
Ben Lahring is an Associate Composer with the Canadian Music Centre and an Adjudicator with the Royal Conservatory of Music College of Examiners. He teaches guitar on the faculties of Ambrose University and Mount Royal University. Additionally, he serves as the Vice-President of the Classical Guitar Society of Calgary and is the founder of MusiCurate, a music publishing company.
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Tradition and innovation
Hungarian cellist László Mezö and Calgary-based pianist Derek Chiu treated our audience to a program of luscious Locatelli, contemplative Liszt, shape-shifting Debussy, and spirited Prokofiev and Bartók pieces this afternoon.
Our thanks to the artists and to our ever-supportive audience!











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Synchronicity
We were delighted to welcome the Meeks Piano Duo back to our concert series today. Their performance was filled with warmth, creativity and a musical connection that resonated with our audience. Thank you for sharing such artistry and joy with us—it was truly a memorable afternoon.









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Synchronicity
The Meeks Duo: Scott Meek, piano; Clare Yuan, piano
Sunday, April 12 at 2:30 pm
VENUE: St Michael’s Church, Chemainus
Please note that this concert starts at 2:30pm

Recognized for their ground-breaking inventiveness and diverse repertoire, Scott Meek and Clare Yuan return with a program of music arranged for piano duo. Scott has published more than one hundred piano duet arrangements, many of which they have performed across Canada and Asia. With warmth and humour, Scott and Clare inform and entertain with stories and anecdotes, truly making each performance a uniquely enjoyable experience for their audience.
Programme
La donna è mobile, from Rigoletto, Act III — Giuseppe Verdi (1813-1901) (arr. Scott Meek)Nessun dorma, from Turandot, Act III — Giacomo Puccini (1858-1924) (arr. Scott Meek)
Serenade (Ständchen), D889 — Franz Schubert (1797-1828)/Franz Liszt (1811-1886) (arr. Scott Meek)
Over the Rainbow — Harold Arlen (1905-1986) (arr. Scott Meek)
Another Day of Sun — Justin Hurwitz (1985- ) (arr. Scott Meek)
Legend of Ashitaka — Joe Hisaishi (1950- ) (arr. Scott Meek)
Summer — Joe Hisaishi (1950- ) (arr. Scott Meek)
Invierno Porteño (Winter), from The Four Seasons of Buenos Aires — Astor Piazzolla (1921-1992) (arr. Kyoko Yamamoto)
Libertango — Astor Piazzolla (1921-1992) (arr. Kyoko Yamamoto)
Firebird Suite, K010 — Igor Stravinsky (1882-1971) (arr. Scott Meek)
Danse infernale
Berceuse
FinaleHappy Birthday, Rachmaninoff! — Scott Meek
Pas de deux, from The Nutcracker — Pyotr Tchaikovsky (1840-1893) (arr. Scott Meek)
Polovtsian Dances, from Prince Igor, Act II — Alexander Borodin (1833-1887) (arr. Scott Meek)
Background information
The Meeks Duo (married Canadian pianists Scott Meek and Clare Yuan) is recognized for its groundbreaking inventiveness and uniquely diverse repertoire for piano duet. Scott and Clare’s concert programs feature their own creative transformations of classical pieces into anything from Happy Birthday to Japanese pop, as well as standard duet repertoire and works by living composers. Scott has over 100 piano duet arrangements and the number keeps growing!
The Meeks Duo’s music has been played on CBC and Fairchild Radio, and their albums are available worldwide all streaming platforms. Keen on promoting living composers and arrangers, Clare and Scott have had several new works and arrangements written for them, and they often perform works by lesser-known and female composers.
As members of their community, Clare and Scott raised funds for local flood relief from the sale of their Christmas album, and performed several months of weekly live-streamed recitals at the start of the COVID-19 pandemic, to entertain audiences worldwide during the lockdown period.
Clare and Scott have performed at such prestigious venues as the Taiwan National Concert Hall (Taipei, Taiwan), the Kay Meek Centre (North Vancouver, Canada) and the Vancouver Playhouse (Vancouver, Canada), as well as at museums, art galleries, private residences, universities, churches, and outdoor performances.
Playing the piano together was how Scott and Clare first met, and they formed The Meeks Duo shortly after they got married in 2013. They love the unique closeness of two musicians sharing a single instrument, and aspire to share this love of four-hand piano music with you!
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Generations in Bloom
An enthusiastic audience enjoyed a thoughtful and beautifully crafted program by pianist Matthew Blackburn this afternoon.
We truly appreciate our wonderful patrons who support live performances in the Cowichan Valley!



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Generations in Bloom
Matthew Blackburn, piano
Sunday, March 8 at 4:00 pm
VENUE: Duncan United Church, 246 Ingram Street, Duncan
Please note that this concert starts at 4:00pm

Born in Campbell River, now based in Paris, France, Matthew Blackburn’s performances have been described as breathtaking, uplifting, and glorious. In this recital, he illuminates the captivating dialogue across generations of composers such as J.S. Bach and his son C.P.E. Bach, as well as Franz Liszt and his student Juliusz Zarebski. Other works by Beethoven and Canadian composer John Burge round out a program that celebrates reflection and renewal.
Programme
French Suite No. 4 in E-flat major, BWV 815 — Johann Sebastian Bach (1685-1750)
Allemande
Courante
Sarabande
Gavotte
Menuet
Air
GigueRondo in A Major, Wq. 58 No. 1, H. 276 — Carl Philipp Emmanuel Bach (1714-1788)
Sonata No. 17 in D minor, Opus 31 No. 2 “The Tempest” — Ludwig van Beethoven (1770-1827)
Largo – Allegro
Adagio
AllegrettoEverything Waits for the Lilacs — John Burge (1961- )
Barcarolle No. 4 in A-Flat Major, Op. 44 — Gabriel Fauré (1845-1924)
Les roses et les épines, Op.13 — Juliusz Zarębski (1854-1885)
Andante con moto
Allegro molto
Mephisto Waltz No.1, S.514 “The Dance in the Inn”, from Lenau’s Faust — Franz Liszt (1811-1886)Background information
Born in British Columbia, pianist Matthew Blackburn was the winner of the Lethbridge Symphony’s Young Artist Competition (Canada). He holds a Master of Music from the University of Calgary, where he studied with Charles Foreman and Marilyn Engle. He completed his performance studies with Georgian pianist, Guigla Katsarava, at the Ecole Normale de Musique de Paris. For his studies, he was generously supported by the Alberta Foundation for the Arts and awarded an artistic residency at the Cité internationale des arts in Paris.
At ease with a varied repertoire, from Bach and Beethoven to Hétu and Andronikou, Matthew Blackburn’s performances are always enthusiastically received. His performances have been described as “breathtaking” and “uplifting and glorious”. He has performed at numerous festivals, including the Mountainview International Festival (Calgary, Canada), Tuckamore Chamber Music Festival (St. John’s, Canada) and Académie Musicale Internationale “Barbara Krakauer” (Vaison-la-Romaine, France).
He has also performed at Salle Cortot, Espace Georges-Bernanos and Salon Honnorat at Cité Internationale (Paris, France), among others. He has performed with the Calgary Orchestra (Liszt’s Totentanz) and the Lethbridge Orchestra (Prokofiev’s Concerto No. 2), Lily String Quartet and Musaeus String Quartet. His last performance: a duo recital with Quebec tenor François-Olivier Jean, featuring French and Russian lyrical music at the Théâtre de L’île Saint Louis in Paris.
An avid outdoorsman, Matthew enjoys life in Montmartre, Paris with his young twin daughters.
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Chiaroscuro
We were mesmerized by Catherine Ordronneau and Kai Gleusteen’s performance yesterday! Please enjoy these few glimpses of an unforgettable afternoon of masterfully performed music for violin and piano, and piano solo. It was a privilege to host these exceptional artists.







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Chiaroscuro
Catherine Ordronneau, piano; and Kai Gleusteen, violin
Sunday, February 8 at 2:30 pm
VENUE: St Michael and All Angels Church, Chemainus
Please note that this concert starts at 2:30

Just as visual artists use chiaroscuro (strong contrasts between light and dark) to create a sense of depth and drama in a composition, composers of music employ contrasting light and dark tones to create a heightened emotional impact. Highly acclaimed duo Catherine and Kai return with a program for violin and piano, as well as solo piano. Works by Eugène Ysaÿe, Claude Debussy and Edward Elgar explore the many facets of the character of love.
Programme
Sonata no. 5 in F Major “Spring”, Op. 24 — Ludwig van Beethoven (1770-1827)
Allegro
Adagio molto espressivo
Scherzo: Allegro molto
Rondo: Allegro ma non troppoPoème élégiaque in D minor, Op. 12 for violin and piano — Eugène-Auguste Ysaÿe (1858-1951)
Allegro deciso
Andante
Scherzo: Vivace
Finale: PrestoIntermission
Liebestod, from Tristan und Isolde for piano solo, WWV 90 — Richard Wagner-Franz Liszt (1811-1886)
Sonata for Violin and Piano in e minor, opus 82 — Edward Elgar (1857-1934)
Allegro
Romance: Andante
Allegro non troppoBackground information
Since 1999 when they first began to work together, Kai Gleusteen and Catherine Ordronneau have established themselves as one of the most important duos in the interpretation of sonatas for violin and piano. Having performed more than 200 recitals in Europe, Canada and USA, they are praised for their unique partnership, “playing under the control of a single intelligence” (Gramophone Magazine), and for the emotional power of their interpretations. In 2004, they were featured in the television program Classical Now, a nationally broadcast show, as well as a two-hour program on CBC radio in Canada including a live recital . They also received critical acclaim for the release of their first recording for the AVIE records label, which includes a standout performance of the Prokofiev sonata, one of the finest on record. In 2011, Kai and Catherine created a festival called Kaimerata Concerts which features various chamber music concerts with music of a single composer or country. Works are preceded by explanations and demonstrations of the pieces to be performed. This year marks the 14th season in Europe and the 10th in Western Canada. This year’s theme is French chamber music and will include works by Ravel, Poulenc, Messiaen, Francaix, Franck, and Fauré.
Having performed her first recital at the age of twelve, it wasn’t until the age of twenty, after two years of law school, that Catherine Ordronneau decided to devote herself entirely to music. Taught by Colette Fernier, Monique Deschaussées, Sergio Perticaroli, and encouraged by François-René Duchâble, she received the highest distinction at the Conservatory in Rouen, and later the prestigious Concert Award at the École Normale Alfred Cortot in Paris. Catherine chooses to avoid the international competition circuit in favour of taking the time to study repertoire in its historical context. She delivers “mesmerising performances in which her ability to summon a myriad of colour is allied to a total artistic integrity”. (The Times).
Canadian born violinist Kai Gleusteen started playing at the age of five years old in his native city, Calgary. Kai chose to combine his musical studies with academic pursuits. At the University of Michigan, he studied anthropology, geophysics, and philosophy and received a Master’s Degree from Rice University under the tutelage of violinist Camilla Wicks. In 1991, Kai moved to Europe to live in the heart of Western Culture. Paris and Prague were his bases for nine years, allowing him to develop and perform both as a soloist and leader of numerous orchestras. In the year 2000, he won the concertmaster position of the Orquestra Simfonica del Gran Teatre del Liceu and subsequently moved to Barcelona. In 2003, he created the Gran Teatre del Liceu Chamber Orchestra and was appointed professor at the Escuela Superior de Musica de Catalunya. He continues to perform extensively as a soloist and recitalist throughout Europe and North America and has released numerous critically acclaimed recordings. Kai has the great fortune to play on a violin made by J.B. Guadagnini, “El Tigre”, made in 1781. -
Exuberance







