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  • Songs of Consolation for our Distracted Time

    Music for reflection and consolation – starting with early English keyboard works, moving onto French music from the 18th and 19th centuries, and culminating in the profound B flat major Sonata, D960, by Franz Schubert Thank you to pianist Bruce Vogt who performed this beautifully curated program, and to the lovely and gracious audience who attended.

  • Songs of Consolation for our Distracted Time

    Bruce Vogt, piano

    Sunday, November 2 at 2:30 pm

    Please note that this concert starts at 2:30

    Now, as we find ourselves in a time of confusion, chaos and bitter enmity throughout the world, it seems all the more important to listen to music together.” ~ Bruce Vogt. It can be consoling to remind ourselves of our civilization’s many great cultural achievements – in music and in all the arts. 
    The music for this program was written in past ages of great turmoil –  the mid-17th century English Civil War period, the mid-19th century revolutionary period in Paris, the period of great political oppression in early 19th century Vienna. For Bruce, it is profoundly consoling to live among these works, and to have this opportunity to share them with others.

     

    Programme

    Two Early English Keyboard Works

    Goe From My Window — John Munday (c. 1560-1630)

    A sad pavan for these distracted times (1649)   — Thomas Tomkins (1572-1656)

    Three French Keyboard Works

    L’Enharmonique. (c. 1728) — Jean Philippe Rameau (1683-1764)

    Les Cyclopes – Rondeau (c. 1731)  — Jean Philippe Rameau (1683-1764)

    Feuilles mortes (1911) — Claude Debussy (1862-1918)

    Three Works by Chopin

    Nocturne in G Major, opus 37 no. 2 (1839) — Frédéric Chopin (1810-1849)

    Mazurka in c# minor, opus 50 no. 3 (1842) — Frédéric Chopin (1810-1849)

    Nocturne in B Major, opus 62 no. 1 (1846) — Frédéric Chopin (1810-1849)


    Sonata in Bb Major, Opus post. D960 (1828) — Franz Schubert (1797-1828)

    i. Molto moderato

    ii. Andante sostenuto

    iii. Scherzo: Allegro vivace con delicatezza

    iv. Allegro, ma non troppo

    Background information

    Canadian pianist Bruce Vogt was born in southern Ontario but for the past 45 years has lived and worked in Victoria, BC where he has taught at the University of Victoria as Professor of Piano. As a soloist, he has appeared regularly in concerts within Canada and he tours yearly in many countries throughout Europe and Asia. His repertoire encompasses music from the sixteenth century to the present. In addition to having a special affinity for the music of Franz Liszt, he has performed on period instruments, and commissioned and premièred a number of new works.

    Because he sees teaching and working with young pianists and with piano teachers as an important commitment, he makes himself available as much as possible for master classes, workshops, festival adjudications, and lectures.

    In recent years, he has received many invitations in Canada and abroad to indulge another of his passions: improvising accompaniments to great films of the silent era. He has played for and lectured about films by Chaplin, Keaton, Lloyd, Griffith, Murnau and others.

    “TECHNICAL PERFECTION PAIRED WITH EMOTIONAL EXPRESSIVENESS … Compositions from Mozart, Chopin, Liszt resounded with seldom-heard perfection… What is apparent in his playing is the joy he takes in giving to others what he has so dazzlingly mastered…” – Usinger Anzeiger, ALTWEILNAU, GERMANY

    “RARE GRANDEUR … I have never heard [Liszt’s] Norma Fantasy played with such consummate largesse … I was mesmerized by Vogt’s sheer control. In Liszt’s Dante Sonata the structure of the work was never exposed and the final triumph of the piece rang from the piano with spine chilling inevitability.” – The Times, LONDON, ENGLAND

    “CONCERT OF THE YEAR … Splendidly subtle readings. Vogt made us listen to music that we might have missed, and some familiar items which we heard anew.” – Monday Magazine, VICTORIA, CANADA

    “A VIRTUOSO … the audience was literally enraptured.” – Le Républicain, PARIS, FRANCE

    ” … THOUGHTFUL AND THOUGHT-PROVOKING … The sophisticated yet ungimmicky presentation left the dry didacticism of lecture-recitals in the dust.” – The Globe and Mail, TORONTO, CANADA

    “MELANCHOLY MAGIC … Vogt’s concentrated pianistic command is to be respected along with his great empathy for poetic mood; he was able to draw from a great reserve of power without placing this power in the foreground.” – Frankfurter Allgemeine Zeitung, FRANKFURT, GERMANY

  • The Turning of the Leaves

    A lovely full house enjoyed Simon Farintosh’s varied program of original, arranged, and own compositions for solo guitar on Sunday. Our season is off to a great start!

    Thank you all for coming out on such a beautiful afternoon!

  • The Turning of the Leaves

    Simon Farintosh, guitar

    Sunday, October 5 at 2:30 pm

    Please note that this concert starts at 2:30

    An award-winning guitarist, composer, and educator, Simon Farintosh brings us a program of original music by Castelnuovo-Tedesco and Yoshimatsu, arrangements of pieces by Debussy and Albéniz, and a set of original Farintosh compositions. Named one of CBC’s “30 Under 30 Classical Musicians” in 2023, Simon regularly receives top honours in national and international competitions as performer and composer, and is currently completing his Doctor of Musical Arts degree at the University of Toronto.
     

    Programme

    Prelude in D Major, op. 39, no. 2 — Alexander Scriabin (1872-1915), arr. Simon Farintosh

    Pavane pour une infante défunte — Maurice Ravel (1875-1937), arr. Roland Dyens

    La sérénade interrompue — Claude Debussy (1862-1918), arr. Simon Farintosh

    Los Caprichos de Goya, op. 195 — Mario Castelnuovo-Tedesco (1895-1968)
    VII. Están calientes (They are hot)
    IX. Bien tirada está (It is nicely stretched)
    XI. Y se le quema la casa (And the house is on fire)

    Tableaux para Guitarra — Liova Bueno (b. 1979)

    I. Balada
    II. Siciliana
    III. Sarabanda
    IV. Burlesca
    V. Promenade

    Sunlit Shallows — Simon Farintosh (b. 1995)

    The turning of the leaves — Ralph Towner (b. 1940)

    Sky Color Tensor — Takashi Yoshimatsu (b. 1953)
    I. Noon
    II. Twilight
    III. Night
    IV. Midnight
    V. Dawn

    Background information

    Simon Farintosh is an award-winning guitarist, composer, and educator based in Victoria,
    BC. Named one of CBC’s ‘30 Under 30 Classical Musicians’ in 2023, he is known for his
    unconventional programming choices, connecting with audiences by integrating the classical guitar
    with more contemporary musical forms such as electronica and jazz. Simon is currently a music
    performance instructor at the University of Victoria, where he teaches undergraduate and graduate
    guitar students.
    Simon studied with Dr. Alexander Dunn at the University of Victoria, where he earned his Bachelor
    of Music Degree in 2018. Simon’s musical pursuits later took him to Milwaukee, WI, where he
    completed a Master’s Degree at The University of Wisconsin-Milwaukee in 2020. Here, he was a
    student and teaching assistant to Rene Izquierdo, a renowned Cuban virtuoso and revered
    pedagogue. Currently, Simon is in the finishing stages of a Doctorate of Musical Arts at the
    University of Toronto, where he is a student of Jorge Caballero and Dr. Jeffrey McFadden.
    Simon’s performances have garnered him top awards in various national and international
    competitions, including 1st Prize at the 2018 Northwest Guitar Festival in Spokane, WA. As a
    composer, he was recently awarded First Prize in the 2022 Ottawa Guitar Society Composition
    Competition for his original piece ‘Distant Light.’ He is a six-time recipient of the British Columbia
    Arts Council Award, and has been a featured performer for organizations such as the Vancouver
    Classical Guitar Festival, Victoria Conservatory of Music Summer Guitar Intensive, The Classical
    Guitar Society of Tri-Cities, Madison Classical Guitar Society, Victoria Guitar Society, Ottawa
    Guitar Society, Guitar Society of Toronto, and Higher Ground Music Festival.

  • Belonging

    Due to serious illness, the Bose-Pastor Duo has had to cancel their concert on Sunday.

    Our sincerest apologies to all ticket holders.

    Please phone 250-748-8383 with any questions.

    Bose-Pastor Duo: Antonio Pastor and Pia Bose

    Sunday, June 8 at 2pm

    Two pianists “who are in perfect harmony and complement one another ideally”, Pia Bose and Antonio Pastor have garnered warm critical acclaim for their “remarkable dexterity and subtlety” (Versoix Région). Pia and Antonio currently serve as piano faculty members at the École Internationale de Genève and the Conservatoire de Musique de Genève, respectively. Their program explores the human-nature connection through works by Debussy, Carl Vine, Liszt and Fazil Say.
     

    Programme

    In times of turmoil, we often retreat to Nature in search of simplicity, to rejuvenate the body and soul; yet our inner forces as human beings rarely allow this repose to be long-lasting. The four-hand piano program they have selected highlights this duality through its extra-musical associations — from the atmospheric, contemplative refuge from the outside world to the overt, traumatic expression of it — and is an exploration of context through four groundbreaking works: Maurice Ravel’s arrangement of Claude Debussy’s Prelude to an Afternoon of a Faun, Carl Vine’s Sonata for Piano Four Hands, Liszt’s arrangement of Les Preludes, and Fazil Say’s Night. Unlike the three other works, Vine’s Sonata has links to tradition in form and genre and is meant to have “no specific accompanying narrative or poetic allusion”; but its section titles (such as “Meditation”) make us question context-based interpretation, within the piece and in this program as a whole. The musical illustration of Nature — and the human struggle to simultaneously connect with it and beyond it — is central to the program. This is especially relevant in the world today, in which music can serve as a bridge to understanding our common sense of belonging.

    Prelude to The Afternoon of a Faun (1894), Arranged for piano four hands by Maurice Ravel — Achille Claude Debussy (1862 -1918)

    Sonata for Piano Four Hands (2009) — Carl Edward Vine (1954 – )
    I.Prelude
    II.Waltz
    III.Deuces
    IV.Meditation
    V.Toccata

    Les Préludes (1854), Transcription for piano four hands by F. Liszt — Franz Liszt (1811 – 1886)

    Night, Op. 68 (2016) — Fazil Say (1970 – )

    Background information

    Since forming the Bose-Pastor Duo in 2012, pianists Pia Bose and Antonio Pastor have garnered widespread acclaim for their “sensitive, alluring, and exhilarating performances.” Praised for their “remarkable dexterity and subtlety” and their intimate connection on stage, the pianists have distinct personalities yet share their instrument and musical sensibilities “in perfect harmony, ideally complementing one another” (Versoix Région).

    The husband-and-wife duo has received numerous honors and awards, including Second Prize in the 18th International Piano Duo Competition in Tokyo, Japan, interviews for Magma-Espace 2 (Radio Télévision Suisse) and Luxembourg’s Radio 100.7, and a featured article in Scènes Magazine. The pianists have appeared in major cities such as London, Paris, New York, San Francisco, Chicago, Lisbon, Edinburgh, Luxembourg, Milan, Geneva, and throughout Switzerland. Notable venues where they have performed together or as soloists include the Weill Recital Hall at Carnegie Hall, the St. Martin-in-the-Fields Embassy Series, St. James’s Piccadilly, the Palais de l’Athénée, and Preston Bradley Hall, during WMFT radio’s live broadcast of the Dame Myra Hess Memorial Concerts. In September of 2023, the Bose-Pastor Duo was invited to perform the inaugural concert of the Roser Piano and Keyboard Alumni Concert Series at the University of Colorado at Boulder, with “Dancing out of the Past,” a program they also performed for enthusiastic audiences at the San Francisco Noontime Concerts, and PianoFest Moudon and Schubertiade Sion in Switzerland. Audiences repeatedly lauded the duo’s charming rapport and its breathtaking, deeply moving performances.

    Hailing from different cultural backgrounds (Indian-American and Andalusian) and having followed divergent paths, the pianists met in Switzerland, their shared country of citizenship. They each completed early studies in their native countries of the United States and Spain and later obtained the Diplôme de Soliste from the former Conservatoire Supérieur et Académie de Musique Tibor Varga, where they worked intensively with the late pianist Dominique Weber.

    Pia Bose holds degrees from the Oberlin Conservatory, the Peabody Institute of the Johns Hopkins University, and the University of Colorado at Boulder, where she earned the Doctor of Musical Arts degree, and her former teachers include Andrew Cooperstock, Marian Hahn, Joseph Schwartz, and J.Y. Song. She completed further study at the Universität Mozarteum Sommerakademie in Austria with Boris Bloch and also holds a Bachelor of Arts degree in biopsychology from Oberlin College. Antonio Pastor holds the Diplôme d’Enseignement from the Haute École de Musique de Genève and the Profesor Superior de Piano degree from the Real Conservatorio de Música de Madrid, and his former teachers include Andrew Cooperstock, Sébastien Risler, and Fernando Puchol. Pia Bose and Antonio Pastor attended festivals such as the Banff Centre for the Arts in Canada, the Gijón International Piano Festival in Spain, and Rencontres Internationales Harmoniques Lausanne in Switzerland, and they were privileged to receive musical guidance from renowned artists such as Paul Badura-Skoda, Julian Martin, Robert McDonald, Boris Slutsky, Ana Guijarro, Alexei Nasedkin, John O’Connor, Bruno Canino, Blanca Uribe, Yoheved Kaplinsky, Marc Durand, Ann Schein, and Leon Fleisher.

    Passionate educators, Pia Bose and Antonio Pastor serve as piano faculty members at the École Internationale de Genève and the Conservatoire de Musique de Genève, respectively.

  • Once upon a Harp

    Harpist extraordinaire Josh Layne gave a beautiful concert on Sunday May 4th!

    Our very appreciative audience was treated to stories and legends told through original compositions as well as Josh’s arrangements of well-known classics, and had the opportunity to learn more about his unique instrument after the performance.

    Thank you to all who attended – we appreciate your support!

  • Once upon a Harp

    Josh Layne, harp

    Sunday, May 4 at 2pm

    Harpist/composer Josh Layne started studying the harp at age 13, and soon excelled at the instrument. Praised for his virtuosity and the sensitivity of his playing, he has recorded several CD’s, and has performed across North and South America, Europe, Australia and New Zealand. Layne’s concert of solo harp music will include some of his original compositions, and will culminate in a stunning arrangement of Smetana’s “The Moldau”, telling the story of the river’s journey through the Czech Republic.

    Programme

    Baroque Flamenco  — Deborah Henson-Conant (1953- ) 
                                            
    Concierto de Aranjuez — Joaquín Rodrigo (1901-1999), arr. Josh Layne
    2nd Movement: Adagio

    Uncharted Shores (2020) — Josh Layne (1977— )     

    Légende — inspired by Les Elfes by Leconte de Lisle — Henriette Renié (1875-1956)

    Winter — Antonio Lucio Vivaldi (1678-1741), arr. Josh Layne   

    Allegro non molto   
    Largo
    Allegro

    The Lark — Mikhail Glinka/Mily Balakirev (1804-1857/1837-1910), arr. Josh Layne

    The Moldau — Bedřich Smetana (1824-1888), arr. Hans Trneček

    Background information

    Harpist and composer Josh Layne is well-known as a consummate musician and has even been called a “harp genius”. He has performed extensively across Canada, USA, Europe, South America, Australia and New Zealand, and has been praised for both his virtuosity and the sensitivity of his playing.

    Josh has recorded 4 albums of solo harp music, including his 2013 CD  which features three of his original compositions for harp. Recent projects include a revival of Bochsa’s long dormant “Concerto No. 1 in
    D minor” with a performance at the World Harp Congress in Wales in July 2022.

    Josh’s biweekly YouTube series “It’s Tuesday… It’s Harp Tuesday!” was born out of a passion for teaching, and launched in 2010. The series covers all aspects of playing the harp, from the first lesson to in-depth looks at advanced music. With 250+ episodes and over 2 million views, Harp Tuesday is an amazing resource for harpists all over the world.

    Josh’s most recent YouTube project is “Harpist in the Wild”, a new video series combining his love of music and the outdoors.

  • 20th Celebration!

    April 6th marked the 20 th anniversary of Chemainus Classical Concerts, originally known as St. Michael’s Presents…Society.

    The celebration, organized by the current board members, followed a magnificent concert by 20-year-old Ukrainian pianist, Sasha Luchkov. The audience was invited to enjoy tea, coffee and delicious desserts in the church hall, bringing back fond memories of Ann Hyggen’s many years of putting together “Meet-the-Artist” receptions after every concert.

    Founding members, past and current board members, volunteers and donors were recognized for the important role they have played in making the concert series possible. The society’s history was recalled by various speakers, with short descriptions and personal stories depicting the joys and uncertainties the fledgling project faced at first, and how it gradually developed into the thriving and well-known organization it is today. 

    As Chuck Thompson, the MC, so aptly put it, “Chemainus Classical Concerts is a story of music, food, friendship, and generosity. It shows what can be achieved by a group of volunteers who meet every challenge with perseverance and dedication, and who don’t mind applying some gentle arm twisting to convince others to take over when they need to step down.”

    Current volunteers (board members and artistic directors – from left to right): Rykie Avenant, Sue Ryan, Brenda Braaten, Marion Priestley, Ann Mendenhall, Eleanor Montour, Catharina de Beer, Margaret Ames, Donna-Lynn Thompson
  • All the world’s a stage

    Today was a very special day at Chemainus Classical Concerts.

    We hosted an extraordinary young Ukrainian pianist, Sasha Luchkov, in a sold out concert that left the audience in awe of his brilliant technique and mature interpretations.

    The performance was followed by a reception to celebrate the 20th anniversary of CCC – more photos to come soon!

    THANK YOU to the artist, the always-supportive audience, and our amazing volunteers who made it possible 🎶

  • All the World’s a Stage

    Sasha Luchkov, piano

    Sunday, April 6 at 2pm

    If you were not able to get a ticket to this concert, a second concert has been organized for Sasha in Victoria on April 5 at 7pm, St. Peter’s Anglican Church, 3939 St. Peter’s Rd, Victoria. There are no reservations for this concert and entrance at the door will be on a first come first served basis.

    19 year old Ukrainian pianist Sasha Luchkov caused a sensation last year when he performed for local audiences during his short stay on Vancouver Island. Passionately pursuing his dream of becoming a concert pianist, Sasha now attends UBC where he studies with Dr. David Fung, and recently had the chance to perform at the Chan Centre for the Performing Arts. Sasha shows great maturity and promise as a musician – don’t miss the chance to hear this rising star in concert!

    Programme

    Étude Book 2, No. 13: L’escalier du diable / The Devil’s Staircase — György Sándor Ligeti

    Keyboard Sonata in F major, Hob.XVI:23— Franz Joseph Haydn

    I. Allegro moderato

    II. Adagio

    III. Finale – Presto

    Variations on a Theme by Paganini, Book 1, Op.35 — Johannes Brahms

    Suite Bergamasque, L75 — Achille Claude Debussy

    I. Prélude (Moderato tempo rubato)

    II. Menuet (Andante)

    III. Clair de lune (Andante très expressif)

    IV. Passepied (Allegretto ma non troppo)

    Ballade No. 4 in F minor, Op. 52 — Frédéric Chopin (1810-1849)

    Background information

    Born in 2004 in Mukachevo, Ukraine, Oleksandr (Sasha) Luchkov started piano lessons at the age of 5 with Maria Weiss at the Mukachevo School of Arts. In 2018, he won First Prize at the “Feurich-virtuoz” International Piano Competition in Lviv, Ukraine, and he had his orchestral debut the following year with the National Symphony Orchestra of Ukraine performing Grieg Piano Concerto in A minor after being awarded a special prize at the Horowitz International Piano Competition in Kyiv, Ukraine.

    In 2019, Sasha began studying with Marianna Sokach at the Uzhhorod Vocational Music College, and he subsequently won numerous prizes in Ukraine, Hungary, and Israel, where he won Second Prize at the Scherzo International Piano Competition in Tel-Aviv (2022).

    In the summer of 2022, Sasha was invited to MusicFest Perugia, where he also performed Chopin Piano Concerto No. 1 in E minor with the festival orchestra. In the fall of 2022, he began studies with Ilana Vered who helped Sasha relocate to Vancouver from Ukraine due to the Russian invasion.

    He enrolled at Shawnigan Lake School, Vancouver Island, for his senior year, and following graduation, Sasha was accepted to the UBC School of Music as a Piano Performance Major in the studio of David Fung. During his first year, he became a finalist of the UBC Concerto competition performing Mozart’s Piano Concerto K 466.