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Songs of Consolation for our Distracted Time
Music for reflection and consolation – starting with early English keyboard works, moving onto French music from the 18th and 19th centuries, and culminating in the profound B flat major Sonata, D960, by Franz Schubert Thank you to pianist Bruce Vogt who performed this beautifully curated program, and to the lovely and gracious audience who attended.






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Songs of Consolation for our Distracted Time
Bruce Vogt, piano
Sunday, November 2 at 2:30 pm
Please note that this concert starts at 2:30

“Now, as we find ourselves in a time of confusion, chaos and bitter enmity throughout the world, it seems all the more important to listen to music together.” ~ Bruce Vogt. It can be consoling to remind ourselves of our civilization’s many great cultural achievements – in music and in all the arts.
The music for this program was written in past ages of great turmoil – the mid-17th century English Civil War period, the mid-19th century revolutionary period in Paris, the period of great political oppression in early 19th century Vienna. For Bruce, it is profoundly consoling to live among these works, and to have this opportunity to share them with others.Programme
Two Early English Keyboard Works
Goe From My Window — John Munday (c. 1560-1630)
A sad pavan for these distracted times (1649) — Thomas Tomkins (1572-1656)
Three French Keyboard Works
L’Enharmonique. (c. 1728) — Jean Philippe Rameau (1683-1764)
Les Cyclopes – Rondeau (c. 1731) — Jean Philippe Rameau (1683-1764)
Feuilles mortes (1911) — Claude Debussy (1862-1918)
Three Works by Chopin
Nocturne in G Major, opus 37 no. 2 (1839) — Frédéric Chopin (1810-1849)
Mazurka in c# minor, opus 50 no. 3 (1842) — Frédéric Chopin (1810-1849)
Nocturne in B Major, opus 62 no. 1 (1846) — Frédéric Chopin (1810-1849)
Sonata in Bb Major, Opus post. D960 (1828) — Franz Schubert (1797-1828)i. Molto moderato
ii. Andante sostenuto
iii. Scherzo: Allegro vivace con delicatezza
iv. Allegro, ma non troppo
Background information
Canadian pianist Bruce Vogt was born in southern Ontario but for the past 45 years has lived and worked in Victoria, BC where he has taught at the University of Victoria as Professor of Piano. As a soloist, he has appeared regularly in concerts within Canada and he tours yearly in many countries throughout Europe and Asia. His repertoire encompasses music from the sixteenth century to the present. In addition to having a special affinity for the music of Franz Liszt, he has performed on period instruments, and commissioned and premièred a number of new works.
Because he sees teaching and working with young pianists and with piano teachers as an important commitment, he makes himself available as much as possible for master classes, workshops, festival adjudications, and lectures.
In recent years, he has received many invitations in Canada and abroad to indulge another of his passions: improvising accompaniments to great films of the silent era. He has played for and lectured about films by Chaplin, Keaton, Lloyd, Griffith, Murnau and others.
“TECHNICAL PERFECTION PAIRED WITH EMOTIONAL EXPRESSIVENESS … Compositions from Mozart, Chopin, Liszt resounded with seldom-heard perfection… What is apparent in his playing is the joy he takes in giving to others what he has so dazzlingly mastered…” – Usinger Anzeiger, ALTWEILNAU, GERMANY
“RARE GRANDEUR … I have never heard [Liszt’s] Norma Fantasy played with such consummate largesse … I was mesmerized by Vogt’s sheer control. In Liszt’s Dante Sonata the structure of the work was never exposed and the final triumph of the piece rang from the piano with spine chilling inevitability.” – The Times, LONDON, ENGLAND
“CONCERT OF THE YEAR … Splendidly subtle readings. Vogt made us listen to music that we might have missed, and some familiar items which we heard anew.” – Monday Magazine, VICTORIA, CANADA
“A VIRTUOSO … the audience was literally enraptured.” – Le Républicain, PARIS, FRANCE
” … THOUGHTFUL AND THOUGHT-PROVOKING … The sophisticated yet ungimmicky presentation left the dry didacticism of lecture-recitals in the dust.” – The Globe and Mail, TORONTO, CANADA
“MELANCHOLY MAGIC … Vogt’s concentrated pianistic command is to be respected along with his great empathy for poetic mood; he was able to draw from a great reserve of power without placing this power in the foreground.” – Frankfurter Allgemeine Zeitung, FRANKFURT, GERMANY
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The Turning of the Leaves
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The Turning of the Leaves
Simon Farintosh, guitar
Sunday, October 5 at 2:30 pm
Please note that this concert starts at 2:30

An award-winning guitarist, composer, and educator, Simon Farintosh brings us a program of original music by Castelnuovo-Tedesco and Yoshimatsu, arrangements of pieces by Debussy and Albéniz, and a set of original Farintosh compositions. Named one of CBC’s “30 Under 30 Classical Musicians” in 2023, Simon regularly receives top honours in national and international competitions as performer and composer, and is currently completing his Doctor of Musical Arts degree at the University of Toronto.
Programme
Prelude in D Major, op. 39, no. 2 — Alexander Scriabin (1872-1915), arr. Simon Farintosh
Pavane pour une infante défunte — Maurice Ravel (1875-1937), arr. Roland Dyens
La sérénade interrompue — Claude Debussy (1862-1918), arr. Simon Farintosh
Los Caprichos de Goya, op. 195 — Mario Castelnuovo-Tedesco (1895-1968)
VII. Están calientes (They are hot)
IX. Bien tirada está (It is nicely stretched)
XI. Y se le quema la casa (And the house is on fire)Tableaux para Guitarra — Liova Bueno (b. 1979)
I. Balada
II. Siciliana
III. Sarabanda
IV. Burlesca
V. PromenadeSunlit Shallows — Simon Farintosh (b. 1995)
The turning of the leaves — Ralph Towner (b. 1940)
Sky Color Tensor — Takashi Yoshimatsu (b. 1953)
I. Noon
II. Twilight
III. Night
IV. Midnight
V. DawnBackground information
Simon Farintosh is an award-winning guitarist, composer, and educator based in Victoria,
BC. Named one of CBC’s ‘30 Under 30 Classical Musicians’ in 2023, he is known for his
unconventional programming choices, connecting with audiences by integrating the classical guitar
with more contemporary musical forms such as electronica and jazz. Simon is currently a music
performance instructor at the University of Victoria, where he teaches undergraduate and graduate
guitar students.
Simon studied with Dr. Alexander Dunn at the University of Victoria, where he earned his Bachelor
of Music Degree in 2018. Simon’s musical pursuits later took him to Milwaukee, WI, where he
completed a Master’s Degree at The University of Wisconsin-Milwaukee in 2020. Here, he was a
student and teaching assistant to Rene Izquierdo, a renowned Cuban virtuoso and revered
pedagogue. Currently, Simon is in the finishing stages of a Doctorate of Musical Arts at the
University of Toronto, where he is a student of Jorge Caballero and Dr. Jeffrey McFadden.
Simon’s performances have garnered him top awards in various national and international
competitions, including 1st Prize at the 2018 Northwest Guitar Festival in Spokane, WA. As a
composer, he was recently awarded First Prize in the 2022 Ottawa Guitar Society Composition
Competition for his original piece ‘Distant Light.’ He is a six-time recipient of the British Columbia
Arts Council Award, and has been a featured performer for organizations such as the Vancouver
Classical Guitar Festival, Victoria Conservatory of Music Summer Guitar Intensive, The Classical
Guitar Society of Tri-Cities, Madison Classical Guitar Society, Victoria Guitar Society, Ottawa
Guitar Society, Guitar Society of Toronto, and Higher Ground Music Festival. -
Once upon a Harp
Harpist extraordinaire Josh Layne gave a beautiful concert on Sunday May 4th!
Our very appreciative audience was treated to stories and legends told through original compositions as well as Josh’s arrangements of well-known classics, and had the opportunity to learn more about his unique instrument after the performance.
Thank you to all who attended – we appreciate your support!





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Once upon a Harp
Josh Layne, harp
Sunday, May 4 at 2pm

Harpist/composer Josh Layne started studying the harp at age 13, and soon excelled at the instrument. Praised for his virtuosity and the sensitivity of his playing, he has recorded several CD’s, and has performed across North and South America, Europe, Australia and New Zealand. Layne’s concert of solo harp music will include some of his original compositions, and will culminate in a stunning arrangement of Smetana’s “The Moldau”, telling the story of the river’s journey through the Czech Republic.
Programme
Baroque Flamenco — Deborah Henson-Conant (1953- )
Concierto de Aranjuez — Joaquín Rodrigo (1901-1999), arr. Josh Layne
2nd Movement: Adagio
Uncharted Shores (2020) — Josh Layne (1977— )Légende — inspired by Les Elfes by Leconte de Lisle — Henriette Renié (1875-1956)
Winter — Antonio Lucio Vivaldi (1678-1741), arr. Josh Layne
Allegro non molto
Largo
Allegro
The Lark — Mikhail Glinka/Mily Balakirev (1804-1857/1837-1910), arr. Josh LayneThe Moldau — Bedřich Smetana (1824-1888), arr. Hans Trneček
Background information
Harpist and composer Josh Layne is well-known as a consummate musician and has even been called a “harp genius”. He has performed extensively across Canada, USA, Europe, South America, Australia and New Zealand, and has been praised for both his virtuosity and the sensitivity of his playing.
Josh has recorded 4 albums of solo harp music, including his 2013 CD which features three of his original compositions for harp. Recent projects include a revival of Bochsa’s long dormant “Concerto No. 1 in
D minor” with a performance at the World Harp Congress in Wales in July 2022.Josh’s biweekly YouTube series “It’s Tuesday… It’s Harp Tuesday!” was born out of a passion for teaching, and launched in 2010. The series covers all aspects of playing the harp, from the first lesson to in-depth looks at advanced music. With 250+ episodes and over 2 million views, Harp Tuesday is an amazing resource for harpists all over the world.
Josh’s most recent YouTube project is “Harpist in the Wild”, a new video series combining his love of music and the outdoors.
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20th Celebration!
April 6th marked the 20 th anniversary of Chemainus Classical Concerts, originally known as St. Michael’s Presents…Society.
The celebration, organized by the current board members, followed a magnificent concert by 20-year-old Ukrainian pianist, Sasha Luchkov. The audience was invited to enjoy tea, coffee and delicious desserts in the church hall, bringing back fond memories of Ann Hyggen’s many years of putting together “Meet-the-Artist” receptions after every concert.
Founding members, past and current board members, volunteers and donors were recognized for the important role they have played in making the concert series possible. The society’s history was recalled by various speakers, with short descriptions and personal stories depicting the joys and uncertainties the fledgling project faced at first, and how it gradually developed into the thriving and well-known organization it is today.As Chuck Thompson, the MC, so aptly put it, “Chemainus Classical Concerts is a story of music, food, friendship, and generosity. It shows what can be achieved by a group of volunteers who meet every challenge with perseverance and dedication, and who don’t mind applying some gentle arm twisting to convince others to take over when they need to step down.”

Current volunteers (board members and artistic directors – from left to right): Rykie Avenant, Sue Ryan, Brenda Braaten, Marion Priestley, Ann Mendenhall, Eleanor Montour, Catharina de Beer, Margaret Ames, Donna-Lynn Thompson 
Founding members (from left to right): Ann Hyggen, Dwight Siemens, Rachel Perkyns, Gloria Fraser (absent), Dianne Schwestak (absent) 
Gloria Fraser (Past President and Founding member) 
Past and current Presidents (from left to right): Sue Ryan, Rachel Perkyns, Neil Burn, Chuck Thompson, Gloria Fraser (absent) 
Past and current artistic directors (from left to right): Rykie Avenant, Dwight Siemens, Rachel Perkyns, Ann Mendenhall, Catharina de Beer 
Past kitchen staff: Ann Hyggen and Ann’s granddaughter, Savannah, and Dwight and Rachel’s two kids, Evangeline and Theodore 
The Kitchen Witches, members of the Dragon Divas, who kindly volunteered to perform kitchen and clean-up duties for our celebration. 
Ann Mendenhall 
Our 20th celebarion cupcake display 
Rachel Perkyns and Dwight Siemens 
Ann Mendenhall 
Rykie Avenant 
Neil Burn -
All the world’s a stage
Today was a very special day at Chemainus Classical Concerts.
We hosted an extraordinary young Ukrainian pianist, Sasha Luchkov, in a sold out concert that left the audience in awe of his brilliant technique and mature interpretations.
The performance was followed by a reception to celebrate the 20th anniversary of CCC – more photos to come soon!
THANK YOU to the artist, the always-supportive audience, and our amazing volunteers who made it possible










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All the World’s a Stage
Sasha Luchkov, piano
Sunday, April 6 at 2pm
THIS CONCERT IS SOLD OUT!!
If you were not able to get a ticket to this concert, a second concert has been organized for Sasha in Victoria on April 5 at 7pm, St. Peter’s Anglican Church, 3939 St. Peter’s Rd, Victoria. There are no reservations for this concert and entrance at the door will be on a first come first served basis.

19 year old Ukrainian pianist Sasha Luchkov caused a sensation last year when he performed for local audiences during his short stay on Vancouver Island. Passionately pursuing his dream of becoming a concert pianist, Sasha now attends UBC where he studies with Dr. David Fung, and recently had the chance to perform at the Chan Centre for the Performing Arts. Sasha shows great maturity and promise as a musician – don’t miss the chance to hear this rising star in concert!
Programme
Étude Book 2, No. 13: L’escalier du diable / The Devil’s Staircase — György Sándor Ligeti
Keyboard Sonata in F major, Hob.XVI:23— Franz Joseph HaydnI. Allegro moderato
II. Adagio
III. Finale – Presto
Variations on a Theme by Paganini, Book 1, Op.35 — Johannes Brahms
Suite Bergamasque, L75 — Achille Claude DebussyI. Prélude (Moderato tempo rubato)
II. Menuet (Andante)
III. Clair de lune (Andante très expressif)
IV. Passepied (Allegretto ma non troppo)
Ballade No. 4 in F minor, Op. 52 — Frédéric Chopin (1810-1849)Background information
Born in 2004 in Mukachevo, Ukraine, Oleksandr (Sasha) Luchkov started piano lessons at the age of 5 with Maria Weiss at the Mukachevo School of Arts. In 2018, he won First Prize at the “Feurich-virtuoz” International Piano Competition in Lviv, Ukraine, and he had his orchestral debut the following year with the National Symphony Orchestra of Ukraine performing Grieg Piano Concerto in A minor after being awarded a special prize at the Horowitz International Piano Competition in Kyiv, Ukraine.
In 2019, Sasha began studying with Marianna Sokach at the Uzhhorod Vocational Music College, and he subsequently won numerous prizes in Ukraine, Hungary, and Israel, where he won Second Prize at the Scherzo International Piano Competition in Tel-Aviv (2022).
In the summer of 2022, Sasha was invited to MusicFest Perugia, where he also performed Chopin Piano Concerto No. 1 in E minor with the festival orchestra. In the fall of 2022, he began studies with Ilana Vered who helped Sasha relocate to Vancouver from Ukraine due to the Russian invasion.
He enrolled at Shawnigan Lake School, Vancouver Island, for his senior year, and following graduation, Sasha was accepted to the UBC School of Music as a Piano Performance Major in the studio of David Fung. During his first year, he became a finalist of the UBC Concerto competition performing Mozart’s Piano Concerto K 466.


